Image Credit: Courtesy Columbia Pictures/Everett Collectionįour travelers get the zombie apocalypse down to a science in Ruben Fleischer’s “Zombieland” duology. With editorial contributions by Christian Blauvelt, Tambay Obenson, Eric Kohn, Ryan Lattanzio, Leonardo Adrian Garcia.
How’s that for an endorsement of cremation?īefore you suddenly rush to make your funeral plans, give a close read to this: IndieWire’s ranked picks for the greatest zombie films ever made. Sometimes, zombies can bear larger metaphors on their disintegrating shoulders - for our increasingly wired yet increasingly isolated post-internet world, say, as in “Shaun of the Dead.” But sometimes zombies are just zombies: walking corpses who shuffle around and remind us that, even if we’re never somehow reanimated, we’re actually going to look like this when we’re in the ground someday. Or rather, death confronts us, looking to scoop out our brains and have us join its ranks. So the intrigue of zombie movies is that this genre forces us to confront death face-to-face.
“Go long” is the mantra of our youth-obsessed culture. We believe if we follow the right workout regimen, eat enough kale, and take the right expensive supplements we may just live forever. But it should: North Americans and Europeans are chronically averse to facing death. The special effects are limited to corpses, blood and signs of illness in the cast's bodies, but they work well and are truly frightening.When you’re putting together a list of the biggest taboos in Western culture, death itself might not make the cut. Cinematography is good and uses forest scenes and filming locations skillfully. Technically, it is a film that has not particularly caught my attention. The rest is forgettable and does only what it really needs to do. Joey Kern is highly irritating with so much hypochondria and individualism Jordan Ladd and Cerina Vincent are there for being sexy at the sex scenes Giuseppe Andrews is the stupidest cop I've seen in years. Rider Strong and James DeBello receive two of the strongest and most interesting characters, but the remaining cast hardly deserves a positive note. The cast is sufficiently capable for the characters, which are the usual clichés of teen films and do not require effort from the actors. The climax is predictable and conventional and the way all characters behave prevents us from wanting anything other than to see them die, and quickly.
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For me, the final part was very weak and showed that Roth (who is also partly responsible for the script) did not know how to end his story. In fact, the film is both scary and cynical and there are some scenes, particularly closer to the end, where the film seems to accentuate its sarcastic streak. Unfortunately, I agree with the opinion of many expert critics who pointed the finger at the director, Eli Roth, and said that he sometimes did not know if he was trying to scare us or make us laugh. Although the script is rather weak and predictable, tension and suspense are skillfully built and, ultimately, this makes the film effective in its task. From there, isolated in the middle of nowhere, fear overwhelms them as, one after another, they begin to show signs of the same disease.
Frightened and fearing that it would be contagious, they try to drive him away but end up killing him. However, they find there a very sick man with marked red skin. The story is simple: five friends go to a forest hut to enjoy themselves after the end of the school year. In fact, the title of the film indicates that, given that "cabin fever", from the point of view of psychology, is a kind of psychosis that arises in groups of isolated individuals in the same place for too long. It even manages to be better than many similar films, and we've seen many! Here, the enemy can be everywhere and, ultimately it turns out to be isolation itself. It even manages to be better than many similar films, and we've seen many! Here, the enemy can be everywhere This film is within the basic teen horror and, despite being unoriginal and overloaded with clichés that we have seen a thousand times in cinema, it works and entertains the public. This film is within the basic teen horror and, despite being unoriginal and overloaded with clichés that we have seen a thousand times in cinema, it works and entertains the public.
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